Much has been made of the Netflix peri-apocalyptic yawner, Leave the World Behind , directed by Sam Esmail and produced by Michelle and Barack Obama. Most reviews focus on the supposedly contentious racial attitudes expressed in the film, the bizarre collapsing-world images, and the incomprehensible ending.
But all of the focus on race, crashing planes, and errant flamingos misses the crux of Leave the World Behind : a fascinating peek into the psyches of its producers and their socio-political milieu.
In this reading, the film is a political allegory that inadvertently reveals the gaping chasm between the existential concerns of almost everyone in the world, and the deepest fears of our global ruling elites.
I will not repeat the plot of the movie, which is summarized elsewhere. Suffice it to say that it involves a mega-rich black family and an upper-middle-class white family who come together in an apocalyptic scenario – No […]
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