Connect with us

Entertainment and Sports

There’s one thing missing from Hollywood’s multitude of excuses for First Man failing

Published

on

Theres one thing missing from Hollywoods multitude of excuses for First Man failing

Hollywood’s latest anti-American biopic, First Man, was poised to be a box office hit. There was tons of buzz, great critical reception, and the winning combination of actor Ryan Gosling and director Damien Chazelle who dazzled us with the Oscar-winning La La Land. When it failed miserably to meet its first weekend’s modest expectations at the box office, Hollywood started making excuses.

The one cause they still refuse to accept is the choice they made to not include the iconic planting of the American flag on the moon. Their excuse: the moon landing was a human achievement, not an American achievement.

The moon landing was an American achievement despite movie’s depiction

http://noqreport.com/2018/10/13/moon-landing-american-achievement-despite-movies-depiction/No matter how much Hollywood hates America and does everything it can to downplay our accomplishments while highlighting our mistakes, many Americans are unwilling to reward them for their hatred. This was a conscious decision to spite the United States. It’s plain and simple.

It isn’t just an insult to Americans. It wasn’t received very well by some who participated in the event.

Despite backlash from conservative journalists and moviegoers alike, Hollywood continues to scratch its collective head. They had the right mix. They had the right topic. They made the movie well. Surely it must be something other than the blatantly obvious, right?

They point to The Right Stuff, a 1983 space biopic that also failed to be as successful as they expected. They ignore Apollo 13, which was a smash hit.

Some are attributing First Man’s failure to the success of Venom and A Star is Born, but there’s a problem with that excuse. They knew these movies were coming out when they made their estimates. Both had been successful the week before, so they even adjusted expectations for First Man down to compensate. It still wasn’t enough.

They’ll blame everything they can imagine, but they’ll never accept that patriotic Americans who were interested in seeing Ryan Gosling playing American hero Neil Armstrong lost interest when they heard about the rewriting of history the movie did for purely political reasons.

I’m one of them. As an avid moviegoer who loves Armstrong and is proud of OUR accomplishment to put him on the moon, I would have seen it on opening night had it not been for the unpatriotic snub.

Don’t tell that to the Hollywood spin machine. They’re still unwilling to accept it.

Why ‘First Man’ Got Grounded in Its Box Office Debut

https://www.hollywoodreporter.com/news/box-office-why-first-man-got-grounded-debut-1152224So far, there’s no evidence that a dust-up over Chazelle’s decision not to show the famous image of Armstrong planting the American flag has impacted the movie. Rather, films about space have always been a risky proposition, whether pure fiction or based on a real story, even if several have gone on to become box office successes.

“Damien’s vision and passion for filmmaking are evident in every frame of First Man,” says Orr. “He is building a diverse résumé of titles that will stand the test of time in our business, and we will be talking about his work for years to come.”

Let’s hope Hollywood someday learns their role in this world is to entertain and sometimes even inform. It doesn’t behoove them to rewrite history to match their globalist, anti-American worldview.

Entertainment and Sports

Theismann ‘turned away’ after seeing Redskins QB Smith hurt

Published

on

Theismann turned away after seeing Redskins QB Smith hurt

LANDOVER, Md. (AP) — Alex Smith seemed to know immediately this was bad. Really, really bad. He covered his face with both hands, then a white towel, before his fractured right leg was placed in an air cast and he was carted off the field.

One of his predecessors as quarterback of the Washington Redskins, Joe Theismann, was at Sunday’s game and sensed the same — all-too-familiar with what a season-ending broken leg looks and feels like.

Exactly 33 years to the day after Theismann’s gruesome injury during a nationally televised game , Smith went down with breaks to his right fibula and tibia midway through the third quarter of Washington’s 23-21 loss to the visiting Houston Texans on Sunday and was replaced at QB by backup Colt McCoy. Redskins coach Jay Gruden said Smith would have surgery “right away.”

“I saw a pile of people go down, and then I saw Alex’s leg in the position it was in. And I turned away after that. It brought back vivid memories,” said Theismann, hurt when hit by Lawrence Taylor during a Redskins’ victory over the New York Giants on Nov. 18, 1985.

“This date has always been a day in my life that I’ll never forget,” Theismann said in a telephone interview.

“My immediate thought was that my heart went out to him. I feel so bad for him. I know the road ahead. We’re somewhat similar in age (when the injuries happened). He’s not 25 or 26 years of age. I was 35; he’s 34. How long will it take to come back? What is the severity?” Theismann added, saying he sent Smith a text message of support. “I worry less about Alex and his football career than I do Alex and wanting to be able to do the things in life he wants to do.”

Smith was in his first season with the Redskins after arriving in a trade from the Kansas City Chiefs. He had thrown two first-half interceptions Sunday, one returned 101 yards for a TD by Texans safety Justin Reid, as Washington fell behind 17-7.

McCoy helped Washington score a pair of TDs, including on his 9-yard touchdown pass to tight end Jordan Reed on the backup QB’s first pass in a regular-season game since 2015.

Now Gruden will have a short week to help McCoy make his first NFL start since 2014: Washington (6-4) plays at Dallas (5-5) on Thanksgiving Day with first place in the NFC East on the line.

“I’ve still got to knock a little rust off,” said McCoy, who went 6 for 12 for 54 yards passing and ran five times for 35 yards after replacing Smith.

McCoy tried to lead the Redskins to the go-ahead points, but their last drive stalled, and Dustin Hopkins tried a 63-yard field goal that fell well short.

The injury came when Smith was first hit by cornerback Kareem Jackson, then by defensive end J.J. Watt. Before Smith was driven off the field, players from both teams left the sidelines to offer well wishes. He waved to spectators as he was taken away.

“We’re all gutted for Alex,” Watt said. “I feel absolutely terrible for him. It sucks. It’s the worst part of the game.”

With Smith headed to injured reserve, McCoy is the only QB on Washington’s roster, so the team will need to find a backup somewhere. Gruden said he hoped to have someone signed by Monday.

McCoy hasn’t worked with the first-team offense for the past few years, but Gruden said he still thinks his new starter at quarterback has a “great comfort level, I believe.”

“He hasn’t played a whole lot. So we’ll see how he does,” Gruden said. “But I have confidence in Colt. Always have.”

___

Follow Howard Fendrich on Twitter.

Continue Reading

Entertainment and Sports

Hat is back: Miles signs 5-year contract to coach Kansas

Published

on

Hat is back Miles signs 5-year contract to coach Kansas

LAWRENCE, Kan. (AP) — Les Miles is headed back to the Big 12 and another massive rebuilding job, this time taking on the downtrodden program at Kansas in a splashy hire aimed at energizing a weary fan base.

The deal was finalized shortly before Miles arrived at the airport in nearby Topeka on Sunday. Miles signed a five-year contract that will pay him $2,775,000 annually with retention bonuses of $775,000 due in November 2020 and $500,000 in November 2022.

“Since the beginning of our search, we focused on identifying and recruiting an experienced head coach with a track record of success on and off the field,” Kansas athletic director Jeff Long said in a statement. “Les Miles is exactly what we need right now.”

Miles was considered the front-runner for the Jayhawks’ job from the moment David Beaty was told he would not be retained two weeks ago. The 65-year-old Miles has a close relationship with Long dating to their days together at Michigan, and Miles had told those around him he wanted back in coaching.

Miles and Long had been in frequent contact over the past two weeks, and it became clear a deal was close when LSU announced Thursday it had agreed to a buyout with its former coach. Miles agreed to a lump sum of $1.5 million of the remaining $6.5 million he was owed under terms of his buyout.

The school has planned an introductory news conference for later Sunday.

“I am humbled by the opportunity to lead the KU football program and I am grateful for Chancellor (Doug) Girod and Jeff Long for the opportunity,” Miles said. “We will bring Jayhawk Football back and we will do it with outstanding coaches, tremendous student-athletes of character and ability and un unrelenting drive for excellence. My family and I cannot wait to be part of the KU family.”

The quirky Miles has been out of coaching since 2016, when he was fired by LSU after a 2-2 start. His support among Tiger fans had waned considerably in a span of just a few years, even though Miles won at least 10 games in seven of his 11 full seasons, twice reached the national title game and beat Ohio State for the 2007 championship. He went 114-34 at LSU.

The most vocal critics argued that Miles had been unable to keep up with the times, sticking to an unexciting and often-stagnant attack during college football’s offensive explosion.

Miles had inherited a winner when he was chosen by LSU to succeed Nick Saban in 2005, but he had proven with Oklahoma State that he could also build a program from scratch.

The Cowboys had just one winning season in 12 years before Miles, their program in similar shape to the Jayhawks. But the longtime college and pro assistant thrived in his first head job, finding some overlooked prospects, developing them and eventually reaching three straight bowl games. He was 28-21 at Oklahoma State.

“I have no doubt that Coach Miles will have an immediate impact on our football program and our university,” Girod said. “Together as Jayhawks, we will rebuild our football program the right way, winning championships and continuing to graduate young men of character.”

The Jayhawks haven’t had a winning season or reached a bowl game since 2008, the year before Mark Mangino was forced to resign under pressure. Turner Gill won five games over two seasons before getting fired, and Charlie Weis managed six wins in two-plus seasons before he was let go.

By that point, the program had become the laughingstock of the Big 12.

The Jayhawks were woefully short on scholarship players, their facilities were decrepit, their fanbase had grown apathetic and the even the administration seemed to have little interest in supporting football. Beaty’s contract lagged far behind his peers financially, and there was little money at his disposal for hiring assistant coaches and other administrators.

Long has promised to rectify those issues, even announcing that a $300 million renovation to aging Memorial Stadium had been put on the backburner while money was invested in the program itself.

The first and most important investment came in the head coach.

Miles would earn $15.125 million by fulfilling his five-year contract. He also can earn a series of incentives: $1 million for reaching the national title game; $350,000 for a playoff semifinal; $100,000 for a New Year’s Six game; $100,000 for making the Big 12 title game; and $75,000 for any other bowl game. Miles also can earn $50,000 each for being the Big 12 and national coach of the year, $15,000 for having a Broyles Award-winning assistant, and up to $50,000 for the team’s GPA.

His contract also includes a one-year, one-time rollover extension that is triggered by winning six games in a season, and benefits such as a country club membership and moving expenses.

The Jayhawks, who lost to sixth-ranked Oklahoma on Saturday to leave Beaty with a 6-31 record in three-plus seasons, will finish out their year under their former coach Friday against Texas.

___

More AP college football.

Continue Reading

Entertainment and Sports

The Ballad of Buster Scruggs would be terrible if the Coen brothers didn’t make it

Published

on

The Ballad of Buster Scruggs would be terrible if the Coen brothers didnt make it

Directors often get too much credit for making movies great. That’s not the case with the Coen brothers. In their latest release, their presence in the director’s chairs and behind the writing desks took what should have been a mediocre Old West anthology and made it clever enough that most viewers will enjoy it. Others, like me, will hate it despite their presence.

The Ballad of Buster Scruggs is a Coen brothers film made for Netflix that doesn’t take itself too seriously, which is why 91% of critics reviewed it favorably on Rotten Tomatoes. But the thumbs-up/thumbs-down approach by Rotten Tomatoes makes the rating a bit misleading. Many of the “positive” reviews I read were essentially homages to the Coen brothers. There were many complaints about the six-part anthology that were followed by “… but it’s the Coen brothers, so…”

That’s the big plus in the movie. The Coens were able to tell the six stories the way only they could with such attention to detail that I almost watched it a second time even though I hated it. The critic in me detested what the movie tried to do. The fan in me loved how the Coens tried to do it.

Unfortunately, that means the only valid reason to watch it is to see the Coens do their thing. That’s enough of a reason if you’ve already seen all of their other extraordinary works. If you’ve missed any of them, I’d start there before using The Ballad of Buster Scruggs as a filler to get you through until their next masterpiece.

I normally don’t do spoilers. In fact, I make a point to not even spoil important components like mood or tone. Since this is a case where I’m not only going against the grain of other reviewers but I’m also trying to dissuade certain people from seeing it, I’ll go ahead and warn that there are spoilers ahead.

As noted already, this movie doesn’t take itself seriously. There are six completely separate stories tied together by two things: death and the historical Old West. We’ll deal with the death aspect shortly, but one good thing I can say about the movie is that I’ve never seen one capture the beauty of the period like this one. Even on a small screen, the sets are stunning. It’s a shame that such amazing cinematography will have so few see it on the big screen.

Now, let’s deal with death. It’s the overarching theme throughout, and it’s noteworthy that none of the reviews I read seemed to catch onto the specificity of the deaths. In order from first to last, the deaths are whimsical, ironic, undeserved, deserved, and tragic. This is done in a very particular order to keep the audience engaged. It’s an emotional ebb and flow that the Coens have mastered over three decades of filmmaking.

The opening story shares its title with the movie itself. It’s a live-action cartoon with stunning aspects that make the viewer laugh, marvel, and finally scratch his or her head. Buster Scruggs’ death is as quick and unexpected as the death the character dishes out throughout his story.

The second story, Near Algodones, demonstrates the inevitability of death for one who chooses a life of crime. Both times the lead character is captured and set to hang are comical and ironic, as if saying Death won’t be cheated by death. His final scene is the last real laugh we get in the movie.

As is common for the Coen brothers, there’s no attempt to ease in to a drastically changing mood. From beginning to end, Meal Ticket makes us feel melancholy and turns it up near the end of the third story. The only temporary relief is seeing an orange chicken mesmerizing a simple-minded crowd with its ability to do basic math on command, a not-so-subtle allusion to President Trump and his adoring fans.

The star of the anthology is the fourth story, All Gold Canyon, as Tom Waits delivers on multiple connections. He touches nature as both an intruder and its defender. He talks to his goal, “Mr Pocket,” like a friend about to deliver the good news of riches heading his way. The best line of the movie comes out in a dialogue between Waits and the pocket of gold when he says, “I’m old, but you’re older.” All of this combines for a deep connection we’re able to feel with his character. We may like or dislike other characters, but we actually connect with this one. Any of the stories could be fleshed out to be a standalone film, but this one would probably yield the best one.

The fifth story, The Gal Who Got Rattled, is another one that could easily expand. It made me think someone could make an interesting series about life on the Oregon Trail that followed the guides back and forth in their exciting journeys. Instead, we get a glimpse at the trail, another glimpse of irony surrounding an annoying dog that survives both of its masters, and then a fleeting glimpse of real action as Grainger Hines fearlessly takes on a group of Commanche who want his scalp and the young lady he’s protecting.

The Mortal Remains rounds out the movie. It’s the only story that doesn’t end in death, though it’s predicated by death; two of the five characters in this story are bounty hunters with the body of their most recent prey strapped to the top of the carriage they’re riding.

There are different interpretations for this segment of the movie. Some say the self proclaimed “reapers” are taking the souls of the other three passengers to their resting place. This theory lends to the apprehension and dread they demonstrate when they finally get there. Others say they simply fear that death may come to them soon, which is why they hesitate to enter the hotel. I lean towards the first interpretation. The three in the carriage with the bounty hunters/reapers died normally while the body on the roof had to be hunted down, which is why he has to be carried to his final resting place instead of walking there like the other three.

Who knows? The Coens.

The stories in this movie were accumulated over 25 years. It’s very possible that there is a much deeper underlying meaning to all of this that the Coens may or may not ever reveal. It could be personal, like their own private joke about Hollywood; watching Meal Ticket definitely lends itself to the notion that the highest level of art can’t be as popular as a counting chicken. There may be nothing to it at all. The Coens know, and unless they’re changing their style, they aren’t telling us their secrets.

An uncanny number of reviews I read noted a variation of the idea that the whole was less than the sum of the parts.

The bottom line: Lots of people loved this movie for everything the Coen brothers bring to the table. Some, like me, hated it because it’s six stories that individually could have been great but compressing them into one movie didn’t do them justice.

Continue Reading
Advertisement
Advertisement Donate to NOQ Report

Facebook

Twitter

Trending

Copyright © 2018 NOQ Report