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Hillary was right to call some Trump supporters deplorable

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Hillary was right to call some Trump supporters deplorable

One of the most troubling consequences of Trump’s presidency has been the decline of the quality of public discourse and the destruction of decency and decorum in the political arena. While praised by his adoring fans for speaking his mind and telling it like it is, Trump’s rude and hateful rhetoric against his political enemies often crosses the line. And just as often, his fans cross it with him.

For those willing to open their eyes, Trump’s behavior in this department is almost exclusively directed at people who refuse to give him their unconditional loyalty. One of those people was John McCain.

It was during the 2016 presidential primaries that Trump made news when he said he didn’t consider McCain to be a war hero. “He’s no war hero,” Trump said at a Christian conservative forum. “He’s a war hero because he was captured. I like people that weren’t captured.”

Besides the fact that Trump essentially invalidated the service of thousands of POW’s from the Vietnam War—where many died while in captivity—his attack on McCain was strictly personal because McCain didn’t support his candidacy. Trump supporters cheered.

As you undoubtedly know, John McCain passed away over the weekend after losing his battle with an aggressive form of brain cancer. When McCain was first diagnosed last year, Trump offered an obligatory “get well soon” to his political enemy, but #Cult45 called the cancer diagnosis “godly justice.”

And then there’s this recent beauty from former Trump advisor Sam Nunberg:

No wonder Hillary called Trump supporters “a basket of deplorables.”

This almost-gleeful attitude by #Cult45 over McCain’s death is the culmination of what happens when values are compromised in the name of “winning.” Yes, Washington clearly needed to be shaken up, but Trump’s ends don’t justify the means.

Before McCain’s passing, I was forced to deal with these deplorables on my Facebook page by banning followers and deleting inappropriate comments.

I’ve always been a fierce critic of John McCain. He was the first inductee into the Gutless On Principles Hall of Shame, and I have written many times about his lack of conservative values. However, McCain’s political shortcomings are no justification for finding joy in his suffering and ultimate death. In fact, doing so comes with serious consequences that go beyond supporting Donald Trump. Heads up, Fellowship of the Pharisees!

“Whoever gloats over calamity will not go unpunished” (Proverbs 24:17).

As I stated above, I have long desired to see John McCain leave the Senate, but I find no pleasure in seeing his career and his life end so tragically. Almost as tragic is the deplorable behavior of #Cult45.

Republicans are now Trumplicans, conservatives are now Trumpservatives, and they, along with the deplorable Trump supporters, have destroyed decency and decorum. This so-called “winning” is what passes for public discourse today in the Age of Trump.

Originally posted at Strident/Conservative.com.

 


David Leach is the owner of The Strident Conservative. His daily radio commentary is distributed by the Salem Radio Network and is heard on stations across America.

Follow the Strident Conservative on Twitter and Facebook.

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1 Comment

1 Comment

  1. Bill Gates

    August 27, 2018 at 3:55 pm

    McCain was an imperfect hero. But then, aren’t all heroes imperfect people, when you really examine them closely?

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Federalists

What Stacey Abrams gets right about moving forward from the Georgia election

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What Stacey Abrams gets right about moving forward from the Georgia election

Democrat Stacey Abrams possesses some pretty radical political ideologies. I completely disagree with her far-leftist rhetoric or the agenda she hoped to bring to Georgia as governor. Republican Brian Kemp is the next governor, which even Abrams admits.

But she refuses to concede that she actually lose the election. She’s clear that Kemp is the governor-elect, but she falls just short of saying that his victory is illegitimate.

That’s all political theater. Here’s what she gets right. Georgia and many states need to clean up their election practices. Laws should be passed. Other laws should be removed. Ballot access for American citizens must be protected and the process must be made as easy as possible without jeopardizing accuracy or opening the doors to fraud.

Most importantly, this must be done through a combination of the legal system and the state legislature. At no point should she or anyone else try to turn this into a federal issue.

People on both sides of the political aisle seem to be leaning towards fixing election problems at the national level. This would be a huge mistake. The states must clean their own houses. The residents of the states must be the catalyst. Keep DC out of it.

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Conspiracy Theory

Many Democrats support Mueller investigation without knowing what it’s about

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“Trump stole the election!”

Two years and two elections ago, something happened that has Democrats scratching their heads even today. Hillary Clinton lost. She wasn’t supposed to lose. She was cheated some way, somehow.

This is what they hope to be proven by special counsel Robert Mueller’s investigation into Russian influence in the 2016 elections. The problem is a majority of Democrats think the Russians did something that Mueller’s team isn’t even investigating because there’s absolutely no hint of a possibility that it could be true.

67% of Democrats believe “Russia tampered with vote tallies in order to get Donald Trump elected President.”

Let that sink in.

Robert Mueller Poll

If you believe Russia attempted to influence the elections by using social media and other venues to spread anti-Hillary rhetoric, you’re almost certainly correct. In fact, the Mueller investigation has assumed that to be true from the beginning. The question isn’t whether or not Russia tried to influence the elections in this way. It’s whether or not Americans helped them, in particular members of the Trump campaign.

What’s not being considered is whether or not Russia tampered with vote tallies. They did not. It’s not even a consideration in Mueller’s investigation, yet two-thirds of Democrats believe it to be true.

67% of Democrats can’t wait for Mueller to prove their theories correct even though he isn’t even investigating vote tally tampering at all. It’s reminiscent of the days after Obamacare was launched when Democrats asked, “Wait, it’s not free?”

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Entertainment and Sports

The Ballad of Buster Scruggs would be terrible if the Coen brothers didn’t make it

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The Ballad of Buster Scruggs would be terrible if the Coen brothers didnt make it

Directors often get too much credit for making movies great. That’s not the case with the Coen brothers. In their latest release, their presence in the director’s chairs and behind the writing desks took what should have been a mediocre Old West anthology and made it clever enough that most viewers will enjoy it. Others, like me, will hate it despite their presence.

The Ballad of Buster Scruggs is a Coen brothers film made for Netflix that doesn’t take itself too seriously, which is why 91% of critics reviewed it favorably on Rotten Tomatoes. But the thumbs-up/thumbs-down approach by Rotten Tomatoes makes the rating a bit misleading. Many of the “positive” reviews I read were essentially homages to the Coen brothers. There were many complaints about the six-part anthology that were followed by “… but it’s the Coen brothers, so…”

That’s the big plus in the movie. The Coens were able to tell the six stories the way only they could with such attention to detail that I almost watched it a second time even though I hated it. The critic in me detested what the movie tried to do. The fan in me loved how the Coens tried to do it.

Unfortunately, that means the only valid reason to watch it is to see the Coens do their thing. That’s enough of a reason if you’ve already seen all of their other extraordinary works. If you’ve missed any of them, I’d start there before using The Ballad of Buster Scruggs as a filler to get you through until their next masterpiece.

I normally don’t do spoilers. In fact, I make a point to not even spoil important components like mood or tone. Since this is a case where I’m not only going against the grain of other reviewers but I’m also trying to dissuade certain people from seeing it, I’ll go ahead and warn that there are spoilers ahead.

As noted already, this movie doesn’t take itself seriously. There are six completely separate stories tied together by two things: death and the historical Old West. We’ll deal with the death aspect shortly, but one good thing I can say about the movie is that I’ve never seen one capture the beauty of the period like this one. Even on a small screen, the sets are stunning. It’s a shame that such amazing cinematography will have so few see it on the big screen.

Now, let’s deal with death. It’s the overarching theme throughout, and it’s noteworthy that none of the reviews I read seemed to catch onto the specificity of the deaths. In order from first to last, the deaths are whimsical, ironic, undeserved, deserved, and tragic. This is done in a very particular order to keep the audience engaged. It’s an emotional ebb and flow that the Coens have mastered over three decades of filmmaking.

The opening story shares its title with the movie itself. It’s a live-action cartoon with stunning aspects that make the viewer laugh, marvel, and finally scratch his or her head. Buster Scruggs’ death is as quick and unexpected as the death the character dishes out throughout his story.

The second story, Near Algodones, demonstrates the inevitability of death for one who chooses a life of crime. Both times the lead character is captured and set to hang are comical and ironic, as if saying Death won’t be cheated by death. His final scene is the last real laugh we get in the movie.

As is common for the Coen brothers, there’s no attempt to ease in to a drastically changing mood. From beginning to end, Meal Ticket makes us feel melancholy and turns it up near the end of the third story. The only temporary relief is seeing an orange chicken mesmerizing a simple-minded crowd with its ability to do basic math on command, a not-so-subtle allusion to President Trump and his adoring fans.

The star of the anthology is the fourth story, All Gold Canyon, as Tom Waits delivers on multiple connections. He touches nature as both an intruder and its defender. He talks to his goal, “Mr Pocket,” like a friend about to deliver the good news of riches heading his way. The best line of the movie comes out in a dialogue between Waits and the pocket of gold when he says, “I’m old, but you’re older.” All of this combines for a deep connection we’re able to feel with his character. We may like or dislike other characters, but we actually connect with this one. Any of the stories could be fleshed out to be a standalone film, but this one would probably yield the best one.

The fifth story, The Gal Who Got Rattled, is another one that could easily expand. It made me think someone could make an interesting series about life on the Oregon Trail that followed the guides back and forth in their exciting journeys. Instead, we get a glimpse at the trail, another glimpse of irony surrounding an annoying dog that survives both of its masters, and then a fleeting glimpse of real action as Grainger Hines fearlessly takes on a group of Commanche who want his scalp and the young lady he’s protecting.

The Mortal Remains rounds out the movie. It’s the only story that doesn’t end in death, though it’s predicated by death; two of the five characters in this story are bounty hunters with the body of their most recent prey strapped to the top of the carriage they’re riding.

There are different interpretations for this segment of the movie. Some say the self proclaimed “reapers” are taking the souls of the other three passengers to their resting place. This theory lends to the apprehension and dread they demonstrate when they finally get there. Others say they simply fear that death may come to them soon, which is why they hesitate to enter the hotel. I lean towards the first interpretation. The three in the carriage with the bounty hunters/reapers died normally while the body on the roof had to be hunted down, which is why he has to be carried to his final resting place instead of walking there like the other three.

Who knows? The Coens.

The stories in this movie were accumulated over 25 years. It’s very possible that there is a much deeper underlying meaning to all of this that the Coens may or may not ever reveal. It could be personal, like their own private joke about Hollywood; watching Meal Ticket definitely lends itself to the notion that the highest level of art can’t be as popular as a counting chicken. There may be nothing to it at all. The Coens know, and unless they’re changing their style, they aren’t telling us their secrets.

An uncanny number of reviews I read noted a variation of the idea that the whole was less than the sum of the parts.

The bottom line: Lots of people loved this movie for everything the Coen brothers bring to the table. Some, like me, hated it because it’s six stories that individually could have been great but compressing them into one movie didn’t do them justice.

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