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What if Padmé Amidala reported on Anakin Skywalker?

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What if Padm Amidala reported on Anakin Skywalker

I remember the scene in which Padme Amidala told Anakin Skywalker right up front, that he was getting into her ‘space’ and making her uncomfortable.  I will admit that I have done that to many women myself and maybe that is why I am still single.  Unlike, Padme, most of them just don’t want to own up to it and like Jabba the Hutt they send someone else to do their dirty work.  I even got a call from the police, with just a warning.  At least they don’t try to kill me like Greedo.  I kind of like the idea of him firing the first shot however.  I am not preoccupied with 1977 you know.

As for Anakin getting shafted by the Jedi for ‘sexual harassment,’ they better take care of themselves if they did.  I think he would have gone Sith much sooner.  I would if I was Anakin, especially if I get called in after my mother was killed by the Tuskens.  I can only take so much.  I want to be more than just a man “going my way.”   Chancellor Palpatine/Darth Sidious would agree.  Now we know why the Jedi had a no romance policy.

Can’t we just enjoy a little Science Fantasy without the real political world taking away our escape from those issues.  Just for a few hours at least?

Reference

Leftist Op-Ed Attacks Anakin Skywalker for his ‘Toxic Masculinity’…

https://www.louderwithcrowder.com/op-ed-star-wars-anakin-harassment/We’ve reached that time of year again when Disney churns out another Star Wars film. No doubt reigniting the same age-old questions. Did Han shoot first (spoiler alert: he was the only one to shoot)? Why do fanboys go nuts for a klutz in a jetpack who fell down a hole? How the hell did Jar-Jar Binks ever make it past storyboards?

Leftists, on the other hand, have different questions in mind. Namely, why didn’t the Jedi Council reprimand and banish Anakin Skywalker for his uber-toxic masculinity? Yes, really:

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Latest Godzilla: King of Monsters trailer may mean it’s actually getting released next year

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Latest Godzilla King of Monsters trailer may mean its actually getting released next year

One of next year’s early blockbusters will be Godzilla: King of the Monsters. It is scheduled for May 31 after being pushed repeatedly to position it against the competition. This newest release date will give Marvel’s Avengers: End Game plenty of time to eat up audience dollars before passing the baton.

Originally slated for this year, executives kept looking for the best window for their second installment of what they hope to be a franchise similar to the successful Planet of the Apes reboot. The first installment of Godzilla in 2014 was widely seen as the first legitimate blockbuster featuring the Japanese monster after a handful of clunky attempts. It did well with a strong cast (including Bryan Cranston) and chalked up over $500 million at the worldwide box office against 75% on Rotten Tomatoes.

This installment features Millie Bobby Brown who has experience fighting demonic beasts in Netflix Stranger Things.

My only concern is that they seem to be putting out all the major bad monsters in this one – Mothra, Rodan, and King Ghidorah. It lends to the notion that this will be limited to a trilogy with the climax being Godzilla vs. Kong, crossing over the giant ape’s own franchise.

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Binge-worthy show: The Night Manager shows why Tom Hiddleston should be the next James Bond

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Binge-worthy show The Night Manager shows why Tom Hiddleston should be the next James Bond

He’s too posh. He’s too pretty. He isn’t intimidating. He’s too big as a Marvel character. There are many reasons people have dismissed the notion of Tom Hiddleston playing the role of James Bond in the famed series. All of these reasons can be dismissed by watching The Night Manager.

Available on Amazon, the AMC-BBC collaboration is six episodes long. There are reports that it could be brought back for another series, but if it never comes back, rest assured the single series is still worth a watch. The funny part is that Hiddleston might be the main draw, but he’s not even the best overall performance. That honor goes to Hugh Laurie, the well-mannered villain of the show.

As usual, no spoilers.

Much effort is put into making the beautiful people look as beautiful as possible in lovely settings even when things get crazy. It opens with Hiddleston cutting through a crowd of protesters just prior to the ousting of Egyptian President Hosni Mubarak in 2011. He’s on his way to work to engage in his craft as a manager at a high-end hotel in Cairo. Even through the chaos, Hiddleston holds an air of separation from both the protesters and the military holding them back. And he does all this while wearing cargo pants and an untucked linen dress shirt.

This is where the presence of Hiddleston comes into play and demonstrates why he would be able to play James Bond. His sharp eyes announce he’s not to be reckoned with while simultaneously charming the observer. As one character later notes, “Everybody is attracted to you.”

The men want to be on his side and the women (and one man) want him to be by their side.

His impish grin may have been perfect for playing Loki in the Marvel Cinematic Universe, but it takes a more menacing turn in The Night Manager. We realize there’s grit behind his boyish looks that betrays two tours in Iraq and a personal grudge he’s held with him for years. If Daniel Craig brought emotionless chills to the Bond character, Hiddleston would bring an emotional fortitude. He’s only truly happy when he’s doing the right thing, which may go against the stereotypes associated with a world-class assassin, but luckily we’re in a world where stereotypes are being broken.

There’s another reason Hiddleston would be the right person for the role. Unfortunately, it’s a political one. Some are pushing for a minority or a woman to take the role to the next level. There’s nothing wrong with this as long as it’s done with the most qualified person in mind and not just to make a political statement about inclusion. With Hiddleston, it’s an opportunity to use the same formula while mitigating the damage that is sure to come if they don’t select a minority or a woman. Everyone likes Hiddleston. He’ll make the passing on a controversial choice easier to swallow.

There’s even a scene when he orders a vodka martini at a bar in Cairo. It was the most obvious nod to the Bond franchise they could have made without asking for the drink to be shaken.

If you only watch The Night Manager to verify my Bond assertions, so be it. If you watch it for its great acting, engaging espionage, and brilliant storyline, well that’s even better. Either way, get your six-hour binging snacks ready.

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‘Ralph’ tops box office again, ‘Aquaman’ is a hit in China

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Ralph tops box office again Aquaman is a hit in China

NEW YORK (AP) — In the calm before the Christmas storm at the box office, “Ralph Breaks the Internet” remained No. 1 for the third straight week, while the upcoming DC Comics superhero film “Aquaman” arrived with a cannonball-sized splash in Chinese theaters.

For the second week in a row, no new wide releases opened in North American theaters, allowing Disney’s animated sequel to again lead domestic ticket sales with $16.1 million, according to studio estimates Sunday.

The top six films at the box office were all unchanged. Universal’s “The Grinch,” still a major draw in its fifth weekend, trailed in second with $15.2 million.

But the weekend’s biggest new arrival was in China, where Warner Bros.′ “Aquaman” debuted with $93.6 million in ticket sales. That marked a new opening-weekend record for both Warner Bros. and DC in China. Considering the checkered recent history of DC films (“Justice League,” ″Suicide Squad”), the big launch in China was a promising sign for the spinoff starring Jason Momoa.

“Adding to the success of ‘Wonder Woman,’ this is a really solid performance and portends big numbers for North America in two weeks when it opens,” said Paul Dergarabedian, senior media analyst for Comscore. “This is a movie, along with ‘Mary Poppins Returns’ and ‘Bumblebee’ and other movies, that’s going to give December that boost that a ‘Star Wars’ movie would give us.”

“Aquaman” will expand to 40 international countries next week and arrive in North American theaters Dec. 21.

“Aquaman” wasn’t the only big-budget holiday season release receiving a lift this week. Paramount’s “Transformers” prequel “Bumblebee” played a one-night sneak preview in 326 theaters nationwide ahead of its Dec. 21 release.

Paramount declined to share ticket figures but domestic distribution chief Kyle Davies said theaters were mostly sold out. Perhaps more importantly, the film directed by Travis Knight and starring Hailee Steinfeld aided its word of mouth with largely glowing reviews — a rarity for the “Transformers” franchise.

Disney’s “Mary Poppins Returns,” due out Dec. 19, also helped its cause with four Golden Globe nominations Thursday, including best picture, comedy or musical, and acting nods for Emily Blunt and Lin-Manuel Miranda.

The feel-good interracial road trip period tale “Green Book” fared even better at the Globes (five nominations, including best picture, comedy or musical, and acting nods for Mahershala Ali and Viggo Mortensen) and had good results at the box office to show for it. In its fourth week of release, “Green Book” held with a rare 0 percent drop, earning $3.9 million in 1,181 theaters. It has grossed $20 million in total.

Yorgos Lanthimos’ comic period drama “The Favourite” continued to pick up steam. The acclaimed Fox Searchlight release, starring Olivia Colman, Emma Stone and Rachel Weisz, expanded into 91 theaters over the weekend to gross $1.4 million ($15,000 per theater).

A more traditional royal drama, “Mary Queen of Scots,” also opened strongly in limited release. The Focus Features title, starring Saoirse Ronan as Mary Stuart and Margot Robbie as Elizabeth I, debuted in four theaters with a robust $50,045 per-theater average. Lis Bunnell, president of distribution for Focus, said the film’s modern spin “made it resonate with audiences in a powerful way paralleling so much of what is still going on today for women.”

Also opening in limited release were “Ben Is Back,” the family addiction drama with Julia Roberts and Lucas Hedges (a $20,243 per-theater average in four theaters), and the caustic pop music critique “Vox Lux,” with Natalie Portman (a $27,000 per-theater average in six theaters).

To commemorate the 25th anniversary of Steven Spielberg’s “Schindler’s List,” Universal re-released the Holocaust epic in 1,029 theaters. But it failed to turn out large crowds, grossing a modest $551,000.

Next weekend, the box office is expected to be significantly busier with the release of “Spider-Man: Into the Spider-Verse,” ″Once Upon a Deadpool” and Clint Eastwood’s “The Mule” and “Mortal Engines.”

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Where available, the latest international numbers for Friday through Sunday are also included.

1. “Ralph Breaks the Internet,” $16.1 million.

2. “The Grinch,” $15.2 million ($25.9 million international).

3. “Creed II,” $10.3 million ($5.2 million international).

4. “Fantastic Beasts: Crimes of Grindelwald,” $6.8 million ($22 million international).

5. “Bohemian Rhapsody,” $6 million ($29.2 million international).

6. “Instant Family,” $5.6 million ($1.7 million international).

7. “Green Book,” $3.9 million.

8. “Robin Hood,” $3.6 million ($7.5 million international).

9. “Possession of Hannah Grace,” $3.2 million ($4.8 million international).

10. “Widows,” $3.1 million ($4.5 million international).

___

Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to Comscore:

1. “Aquaman,” $93.6 million.

2. “Bohemian Rhapsody,” $29.2 million.

3. “The Grinch,” $25.9 million.

4. “Fantastic Beasts: Crimes of Grindelwald,” $22 million.

5. “Ralph Breaks the Internet,” $18 million.

6. “Nutcracker and the Four Realms,” $8 million.

7. “Robin Hood,” $7.5 million.

8. “A Cool Fish,” $6.9 million.

9. “Door Lock,” $5.3 million.

10. “Creed II,” $5.2 million.

___

This version corrects Ali’s first name, Mahershala not Maheshala.

___

Follow AP Film Writer Jake Coyle on Twitter at: http://twitter.com/jakecoyleAP

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